Existing Premiere Pro workspace from the Sam Smith performance edit, with picture and audio tracks

SAM SMITH / PERFORMANCE EDITING / EXISTING PROJECT WORKSPACE

SOCIAL-FIRST / EDITING

Turn existing footage into social films ready to publish.

Turn existing footage into social films ready to publish.

Turn existing footage into social films ready to publish.

For content teams with ready selects, campaign teams shaping new messages, and producers working with recorded conversations.

For content teams with ready selects, campaign teams shaping new messages, and producers working with recorded conversations.

Explore editing options ↓

Explore editing options ↓

01 / SEE THE WORK

Relevant delivery

Relevant delivery

Sam Smith demonstrates editing and platform delivery from supplied performance footage. HarperCollins / Juniper demonstrates interview planning, editorial selection, subtitles and organised review.

Sam Smith demonstrates editing and platform delivery from supplied performance footage. HarperCollins / Juniper demonstrates interview planning, editorial selection, subtitles and organised review.

02 / CHOOSE THE SCOPE

Choose the editing scope.

Choose the editing scope.

Make your content calendar or campaign launch useful to the audience: standalone stories, clear messages and organised feedback, shaped from material you already have.

Make your content calendar or campaign launch useful to the audience: standalone stories, clear messages and organised feedback, shaped from material you already have.

Entry prices exclude VAT. Collections and expanded productions are quoted around the agreed brief.

01

Social-First Editing

Social-First Editing

From £150 per original

Turn organised footage and usable selects into one finished social film with a clear message, basic sound and colour, agreed captions and one primary format. Includes one round of amendments after the first edit; further amendments are charged separately. No new filming.

Turn organised footage and usable selects into one finished social film with a clear message, basic sound and colour, agreed captions and one primary format. Includes one round of amendments after the first edit; further amendments are charged separately. No new filming.

Poor sound, source search, new story development and extra versions change the scope.

Poor sound, source search, new story development and extra versions change the scope.

02

Simple Social Edit Collection

Simple Social Edit Collection

Scoped around your source and outputs

You have usable footage, clear messages and several films to publish. I bring the edits together through a shared brief, consistent treatment, agreed captions and consolidated review.

You have usable footage, clear messages and several films to publish. I bring the edits together through a shared brief, consistent treatment, agreed captions and consolidated review.

Source readiness, recording length, film runtime, versions and review time are defined in the quote. New filming is a separate service.

Source readiness, recording length, film runtime, versions and review time are defined in the quote. New filming is a separate service.

03

Planned Supplied-Footage Collection

Planned Supplied-Footage Collection

Quote depends on source review and editorial development

When the footage is ready but the messages are not, I review the agreed material and develop the structure of each film around your audience and campaign.

When the footage is ready but the messages are not, I review the agreed material and develop the structure of each film around your audience and campaign.

No capture. The planning and editorial work are agreed before the quote.

No capture. The planning and editorial work are agreed before the quote.

04

Interview Edit Collection

Interview Edit Collection

Scoped around recording and outputs

From interviews and podcasts to contributor conversations, I review the agreed recording, shape the moments and finish films that preserve the meaning of what was said. Recording length, camera feeds, subtitles, film count and review time are agreed before quoting.

From interviews and podcasts to contributor conversations, I review the agreed recording, shape the moments and finish films that preserve the meaning of what was said. Recording length, camera feeds, subtitles, film count and review time are agreed before quoting.

A published full-length interview is an optional, separately scoped deliverable. A working review assembly is not a finished master.

A published full-length interview is an optional, separately scoped deliverable. A working review assembly is not a finished master.

05

Technical Adaptations

Technical Adaptations

Agreed from the approved master

Add agreed aspect-ratio versions, exports or subtitle packaging to an approved film, with quality checks before delivery.

Add agreed aspect-ratio versions, exports or subtitle packaging to an approved film, with quality checks before delivery.

No new narrative, structural recut or source search.

No new narrative, structural recut or source search.

03 / BEFORE WE BEGIN

SOURCE

Usable selects or separately scoped source review

REVIEW

Message approval · consolidated feedback · review allowance

DELIVER

Agreed films · formats · subtitle packaging

Responsibilities, review and handover

Responsibilities, review and handover

For straightforward edits, you supply usable selects and a clear message. If the story needs developing, we agree source review and editorial planning as part of the service. We confirm who approves the message and returns consolidated feedback. Entry editing includes one amendment round after the first edit; further amendments are charged separately. Collections have their own agreed review allowance.

For straightforward edits, you supply usable selects and a clear message. If the story needs developing, we agree source review and editorial planning as part of the service. We confirm who approves the message and returns consolidated feedback. Entry editing includes one amendment round after the first edit; further amendments are charged separately. Collections have their own agreed review allowance.

04 / DISCUSS YOUR PROJECT

EXISTING FOOTAGE / EDITING

A single social, an interview or a supplied-footage collection.

yohanforbes@kumolondon.com

yohanforbes@kumolondon.com

07368 482378

07368 482378

What do you need from your footage?

What do you need from your footage?

Start with your source material, the messages and the films you need to publish.

Start with your source material, the messages and the films you need to publish.

Our approach to scope and responsibility →